The Beneficent Burglar — Reading Companion

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Buck, Charles Neville, 1879-1957 Project Gutenberg 2021 Not confirmed
United States -- Fiction; Elopement -- Fiction Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words 19,403
Reading time 85 min
Text sections 3

For The Beneficent Burglar — Reading Companion, the stored edition analysis reports 19,403 words, 1 hr 25 min estimated reading time, and 3 detected text sections.

The text analysis averages about 12.9 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “United States -- Fiction,” connecting these edition facts with the source record’s subject description.

In Charles Neville Buck's 1911 novel, a woman-hating lawyer and a runaway heiress clash and connect after a car breakdown strands them in a small town. The excerpts show a farcical tone, rapid-fire banter, and a plot driven by elopement and mistaken intentions.
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Editorial Edition Score 4.5/5

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  • Description quality20 pts
  • Title & short description10 pts
  • Source metadata20 pts
  • Text length15 pts
  • Chapters / structure15 pts
  • EPUB file integrity20 pts

Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.

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Read the Text

e this evening on the train that reaches here about midnight, which makes no regular stops between. She starts unaccompanied, but is to be met at the station here in Mercerville by her aunt, Mrs. Stone, who is to chaperone the European trip. It is to be strictly and personally conducted.”

“I know Mrs. Stone,” grinned Mr. Burrow. “I can recommend her as a reliable duenna.”

“But I leave here on a train that starts west at the same time hers starts east. Those trains pass each other about half-way. Both are through expresses and neither makes any regular stop between Mercerville and Perryville.”

“I am following you.” Once the plan involved action, the Hon. Alexander Hamilton Burrow became interested.

“I have got, quite secretly of course, an order from the train-despatcher’s office. In pursuance, my train stops at Jaffa Junction, which it reaches at ten o’clock to-night. Her train also stops at Jaffa Junction, forty minutes later. We both disembark. When aunty goes to the Mercerville station there will be no Mary there!”

“Almost you had persuaded me,” said Mr. Burrow sadly, “but if any additional shred of evidence were necessary to establish the lunacy of this enterprise, it is the selection of Jaffa Junction as an objective point for elopement. Were you ever in Jaffa Junction? A tank, a post-office and a streak of mud!”

“It may lack certain advantages,” defended Mr. Copewell, “but it is a strategic position. You don’t seem to grasp the strenuousness of this undertaking—or the peril. Mary is sent across the ocean on twenty-four hours’ notice. She is put on the train at Perryville by her family. The train does not, so it is presumed, stop till it reaches here. Here a grim relentless aunt catches her on the fly and keeps her bouncing! Good Heavens, man, the only chance I have is train-robbery in between—and Jaffa Junction is gloriously in between!”

“What part do I play in this praiseworthy enterprise? Do you want my police to lock aunty up, so that she can’t telephone to mama?”

“Worse than that. When we drop off that train at Jaffa Junction, unless we have some way to beat it quick, our last predicament will be worse than our first. We will need an automobile and a trustworthy chauffeur. He can also be best man, and officiate at swearing to things when we get the license. You and your six-cylinder car have been elected.”

“Are you quite sure,” inquired Mr. Burrow in a chastened voice, “that you don’t overestimate my merits?”

“I am willing to give you a try,” was the generous response. “It would be nice and considerate if we could get it all finished up in time to wire aunty that we are perfectly well married before she grows hysterical about Mary. Mary is very fond of her family and would appreciate a little attention like that.”

“And have you considered the time it takes to drive one hundred and twenty miles over those infernal, hog-backed roads?” queried Mr. Burrow with suspicious politeness.

“Really, I can’t say, but it’s only ten o’clock now. You can start as soon as you’re ready, you know. You have about thirteen hours.”

“I salaam before your unparalleled nerve! Do you realize that I have public duties to perform?”

Mr. Copewell shrugged his shoulders.

The stenographer’s brown head was thrust into the door.

“Alderman Grotz says——” she began.

“Send him right in,” exclaimed Mr. Burrow energetically. “Ah, Mr. Grotz, I’m very sorry indeed to have kept you waiting! Miss Farrish, tell the other gentlemen I have just received urgent news that will call me out of town until to-morrow. ’Phone over to the City Hall and make my apologies to the Mayor. Call up the garage and have my car ready for a long trip in a half-hour; telephone to my rooms and have my man pack a suit-case and rush it over to the garage. Let’s see—yes, I believe that’s all, thank you.”

ON THE WAY TO JAFFA JUNCTION

The allegation that Love laughs at locksmiths has become more generally accepted than verity warrants. In point of fact the locksmith has never been altogether without the honors of war, and during the last century or two he has made commendable progress in the matter of bolts and tumblers and burglar-proof devices.

The novel opens with a comic disruption: Lewis Copewell bursts into the anteroom of the Honorable Alexander Hamilton Burrow, a lawyer whose recent civic triumph has transformed him from a mere "Aleck" into "Alexander the Great." The scene establishes a tone of farcical bureaucracy, with a glacial secretary and a waiting list of supplicants. Burrow's private door swings open, and he greets Copewell with a smile that reveals "a welcoming row of teeth, which in modern America means 'dee-lighted.'" This blend of satire and physical comedy sets the stage for a story that pairs a self-proclaimed woman-hater with a runaway heiress.

A Lawyer's Transformation and a Farce of Manners

The excerpts trace Burrow's shift from a pompous public figure to a flustered suitor. When he first appears, he is genial but condescending, waving "a smile of benediction" at the waiting crowd. Yet within pages, he is stammering "But—but—" four times in front of Miss Asheton, the runaway heiress. The narrator notes that Burrow is "usually regarded as a loquacious man," making his sudden speechlessness a pointed reversal. His earlier self-assurance dissolves as he fumbles with a car hood, wipes grease from his hands, and awkwardly offers a handshake. The comedy lies in the contrast between his public persona and his private ineptitude.

The Runaway Heiress and Her Verbal Sparring

Miss Asheton, the female lead, is introduced through dialogue rather than description. She is sharp and self-possessed, deflecting Burrow's condescension with dry wit. When he accuses her of being a "woman-hater," she retorts, "It's a man who thinks he's a little wiser than other men, and who is, in fact—she hesitated politely—who may be mistaken." She also mocks his driving: "Aren't you afraid you'll ditch your car if you keep turning around?" Her calm undercuts his bluster, and she even laughs at the absurdity of her situation, musing that "it would make a good farce." The excerpts do not reveal her motives for eloping, but her composure suggests she is more in control than Burrow assumes.

Setting as Obstacle and Opportunity

The small town of Jaffa Junction functions as a comic trap. Burrow learns that "all trains are out" until the next morning, and the telegraph office is closed. The town's darkness and sparse houses—"as Chinese beads are strung—at extended intervals"—force the characters into proximity. The car breakdown and lack of transportation become the mechanism that throws Burrow and Miss Asheton together. The setting is not merely backdrop but a plot device that strips Burrow of his urban authority. His car veers into a ditch as he turns to admire Miss Asheton, literalizing his loss of control. The excerpts suggest that the town's isolation will drive the romantic comedy forward.

Readers should attend to the novel's use of repetition and physical comedy: Burrow's stammer, the secretary's glacial demeanor, and the car's near-wreck are all cues that the story prioritizes situation over psychology. The catalog subjects—"United States -- Fiction; Elopement -- Fiction"—are accurate but reductive; the excerpts reveal a work more invested in satirizing masculine vanity than in plotting a conventional elopement. The incomplete text leaves open whether Burrow's conversion from woman-hater to admirer is sincere or merely another pose.

There’s something about the farcical, headlong clash in The Beneficent Burglar that left me thinking of old theatrical programs—each misunderstanding a scene shift. It quietly reminded me of how another book, Lot & Company — Edition Insights, holds its own chaotic ensemble with similar warmth. Both feel like glancing through someone’s yellowed playbill, catching laughter between the lines.

William Rodriguez
2 weeks ago

Benjamin Allen
1 month ago

5
5 out of 5 (2 User reviews )

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