Best laid schemes — Inside the Classic

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Nicholson, Meredith, 1866-1947 Project Gutenberg 2022 Not confirmed
Short stories, American; American fiction -- 20th century Readers of public-domain and historical texts
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Words 65,873
Reading time 287 min
Text sections 14

This digital edition of Best laid schemes — Inside the Classic is described by source-level measurements including 65,873 words, 4 hr 47 min estimated reading time, and 14 detected text sections.

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Meredith Nicholson's 1922 collection of six short stories, each exploring how carefully laid plans go astray. The opening story introduces Susan Parker, a twenty-six-year-old woman whose romantic prospects are derailed by a careless remark about Harvard. Other tales involve a novelist's mysterious summons, a yacht conversation about a promising young lawyer, and a house party with hidden agendas.
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ied by her younger sister, Miss Wilkinson; and that she was to entertain immediately Mr. Brown Pendleton, a wealthy young American explorer and archæologist, who was coming to Indiana to deliver the dedicatory address at the opening of the new Historical Museum at the state university. Mrs. Burgess always entertained all the distinguished people who visited Indianapolis, and it had occurred to Susan that by the exercise of ordinary vigilance she might catch a glimpse of Brown Pendleton during his stay at the house next door. Webster Burgess was a banker who had inherited his bank, and he had always found life rather pleasant going. His wife diverted him a good deal, and the fact that she played at being a highbrow amused him almost more than anything else. He had kept his figure, and at forty-two was still able to dance without fear of apoplexy. He chose his haberdashery with taste, and sometimes he sent flowers to ladies without inclosing his wife’s card; but his wife said this was temperamental, which was a very good name for it.

Susie, holding her ground as Burgess advanced, composedly patted the head of one of the bronze lions that guarded the entrance to the Logan doors.

“Good evening! It’s mighty nice to see you back again,” said Burgess, smiling.

It was at this instant that Susan, hearing the god of adventure sounding the call to arms, became Susie again.

“I’m very glad to see you, Mr. Burgess,” she replied; and ceasing to fondle the bronze lion’s left ear she gave the banker her hand. “Summer is hanging on,” observed Susie; “it’s quite warm this evening.”

“It is, indeed, and most of our neighbors seem to be staying away late; but I’m glad you’re back.”

Susie was glad he was back. Her superficial knowledge of Mr. Webster Burgess bore wholly upon his standing as a banker. In the year she had spent in his ancestral city she had never heard anything to justify a suspicion that he was a gentleman given to flirtations with strange young women. There was something quite cozy and neighborly in his fashion of addressing her. His attitude seemed paternal rather than otherwise. He undoubtedly mistook her for a member of the Logan household. It crossed her mind that he probably knew little of the Logan family, who had occupied the new house only to leave it; but she knew there were several Logan girls, for she was occupying the room designed for one of them.

“This is what I call downright good luck!” Burgess continued, glancing at his watch. “Mrs. Burgess reaches town at six, with her sister--and Brown Pendleton, the explorer, and so on. We met him at Little Boar’s Head, and you know how Mrs. Burgess is--she wanted to be sure he saw this town right. A mighty interesting chap--his father left him a small mint, and he spends his income digging. He’s dug up about all the Egyptians, Babylonians and Ninevites. He’s coming out to make a speech--thinks of prying into the mound-builders; though I don’t see why any one should. Do you?”

“On the whole I think the idea rather tickles me,” said Susie. “I always thought it would be fun to try a lid-lifter on the dead past.”

Mr. Burgess took note of her anew and chuckled.

“Open up kings like sardines! I like your way of putting it.”

“A few canned kings for domestic consumption,” added Susie, thinking that he was very easy to talk to. The fact that he did not know her from a daughter of the royal house of Rameses made not the slightest difference now that the adventurous spirit of the old Susie days possessed her.

Mr. Burgess was scrutinizing the telegram again.

“I want you to dine with us this evening--as a special favor, you know. It’s rather sudden, but Mrs. Burgess has a sudden way of doing things. Just as I left my office I got this wire ordering me to produce the most presentable girl I could find for dinner. Pendleton hates big functions, but I nailed Billy Merrill at the club on my way up, according to instructions--you can always get Billy; but I went through the telephone book without finding any unattached woman of suitable age I would dare take a shot at, knowing my wife’s prejudices. And then I looked over here and saw you.”

His manner conveyed, with the utmost circumspection, the idea that seeing her had brightened the world considerably.

“Certainly, Mr. Burgess,” replied Susie, without the slightest hesitation or qualm. “At seven, did you say?”

Meredith Nicholson's Best laid schemes (1922) opens with a wry, self-aware narrator who introduces Susan Parker as a woman of twenty-six to whom 'Man had never happened.' The phrasing is deliberately arch, and the story quickly establishes a pattern of ironic reversals: a rejected sonnet leads to a sporting editor's success, a dismissed sermon precedes a pastor's rise, and a casual opinion about Harvard sinks a promising courtship. Nicholson's dialogue is crisp and his descriptions of social settings—tea parties, yacht smoking rooms, a Berkshire author's study—are precise without being overwrought. The collection's title, borrowed from Robert Burns, signals a recurring interest in the gap between intention and outcome, but the stories themselves are less moralistic than amused.

The Architecture of Misdirection

Nicholson structures his stories around small, plausible errors that snowball. In 'The Susiness of Susan,' the protagonist's offhand remark about Harvard—'all universities looked alike to her'—capsizes a romance she had not intended to end. The narrator notes that she 'had really been no more interested in Harvard than in the academic centers of Wyoming or Oklahoma,' a detail that underscores the triviality of the catalyst. Similarly, in 'Arabella's House Party,' the novelist Laurance Farrington receives an unsigned note delivered by private messenger, its anonymity and the 'taste and quality' of the paper creating a puzzle that drives the plot. Nicholson often withholds key information until late in the story, letting readers share the characters' incomplete understanding.

Dialogue as a Tool of Character

The conversations in these stories reveal social hierarchies and unspoken tensions. In 'The Campbells are Coming,' a magnate named Campbell speaks in a distinctive pattern of chuckles and short, approving phrases: 'Knows a chance when he sees it,' 'That boy knows more than the law.' His interlocutor, Ward, responds with diffident praise of his son. The exchange is polite but freighted with professional calculation—Campbell is sizing up a young man for a New York firm. Nicholson uses indirect dialogue to suggest what is not said: when Campbell says 'I like youngsters of that type,' the reader senses he is also evaluating Ward's loyalty. The author's ear for the rhythms of masculine confidence and deference gives these scenes a documentary quality.

Setting as a Mirror of Ambition

Nicholson anchors his characters in carefully described environments that reflect their social standing and aspirations. Farrington's Berkshire home—'an old farmhouse' remodeled to include a riding horse, a touring car, a runabout, and an Airedale kennel—is presented as the visible reward of literary success. The narrator notes that the house 'had been much described in newspapers and literary journals as the ideal home for a bachelor author.' Yet Farrington, despite his prosperity, is struggling to write. The contrast between his enviable possessions and his creative block hints at the story's theme of hidden dissatisfaction. Other settings—the Sorona Tea House, the yacht White Gull feeling its way up Chesapeake Bay—are chosen for their social specificity, each one a stage for the schemes that will go awry.

The Unreliable Narrator's Touch

Nicholson's third-person narrators are not omniscient; they report events with a knowingness that sometimes borders on ironic. In 'The Susiness of Susan,' the narrator declares that 'plenty of things had happened, but Man had never happened'—a formulation that is both a joke and a confession of limited perspective. The narrator later describes Susan's critical judgment of the sonnet as 'fastidiousness,' a word that carries a hint of authorial judgment. This technique creates a layered reading experience: the reader is invited to see more than the characters do, but the narrator's own biases are occasionally visible. The effect is to make the stories feel less like moral fables and more like wry observations of human folly, where even the teller may be slightly unreliable.

Readers approaching Best laid schemes should expect stories that reward attention to small details—a phrase repeated, a piece of stationery described, a chuckle that signals more than amusement. Nicholson's characters are often clever but not omniscient, and their plans unravel in ways that feel both surprising and inevitable. The collection does not offer grand conclusions about fate or character; instead, it presents a series of finely observed social encounters in which the best-laid schemes, as Burns warned, 'gang aft a-gley.'

Reading Nicholson’s tales of plans gone sideways, I kept thinking how Susan Parker’s quiet year feels like a house with all the lamps on but no one home. It reminded me of the gentler ache in The Crystal Cup — Reading Companion, where the waiting itself becomes the story. That’s the thing about best-laid schemes—sometimes the detour is the truer path, and we only see it later, in memory’s soft light.

Liam Mitchell
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Noah Moore
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Sophia Perez
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Grayson Miller
3 weeks ago

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4.5 out of 5 (7 User reviews )

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    Mary Newton - 3 weeks ago
    There's a lot to enjoy in 'Best Laid Schemes,' from its witty dialogue to its clever plot structure. The author has a knack for creating situations that are both comical and thought-provoking. However, some of the subplots felt underdeveloped, leaving me wanting more closure. Still, it's an entertaining read that will appeal to fans of contemporary fiction.

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    Mallory John Taylor - 2 weeks ago
    An absolutely delightful read! 'Best Laid Schemes' is a masterclass in storytelling, weaving together humor, heart, and unexpected twists that keep you guessing until the very end. The characters are vividly drawn and their interactions are both hilarious and touching. I couldn't put it down and found myself thinking about it for days. A must-read for anyone who loves a well-crafted tale.

  • ...
    Laura Johnson - 2 weeks ago
    I had high hopes for 'Best Laid Schemes' but was left feeling let down. The plot is predictable and relies on tired clichés. The characters are shallow and their decisions often frustrating. The humor, while occasionally sharp, doesn't compensate for the lack of substance. This book had potential but fell flat in execution.


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