Shaming the Speed Limit — Context and Discussion
Edition facts
This digital edition of Shaming the Speed Limit — Context and Discussion is described by source-level measurements including 16,110 words, 1 hr 11 min estimated reading time, and 10 detected text sections.
The text analysis averages about 17.8 words per sentence, while the detected sections provide another way to judge how the source is divided.
Project Gutenberg metadata also associates the work with “Love stories,” connecting these edition facts with the source record’s subject description.
Calculated from edition completeness, EPUB availability, text structure and catalogue metadata. Not a user rating.
How this score is calculated
- Description quality20 pts
- Title & short description10 pts
- Source metadata20 pts
- Text length15 pts
- Chapters / structure15 pts
- EPUB file integrity20 pts
Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.
Read the Text
her face, he had made the blunder of mistaking her for a middle-aged woman. He felt his heart thumping queerly. He also felt his face burning beneath her unmasked disdain.
“Let me explain,” he pleaded hastily.
“It isn’t necessary,” she cut him short. “I don’t suppose there are any Reginalds to be found outside the pages of fiction.”
“The Daphnes,” he returned, “are myths.”
She tossed her head. “Besides being a ’fraid cat,” she retorted, “you’re just about the most impolite person I ever met. What were you doing prowling around in this field, anyhow?”
“Being in haste to secure a conveyance to Albion for two gentlemen whose motor has broken down back yonder on the road, I was making a short cut to town and avoiding the most of the hill. The gentlemen must catch the three-forty train at Albion. It is now,” he stated, balancing himself on the limb and taking out his watch, “seven minutes past two.”
“And twenty-three miles to Albion. Your gentlemen will have to hurry.”
“They may make it if I can get an automobile in town.”
Again she laughed. “Automobiles aren’t popular in Greenbush. Peter Beedy is the only citizen who owns one. He’s been arrested and fined four times for exceeding the speed limit of eight miles an hour. The last time that happened he was so mad he swore he’d never start the machine again, and he had it towed to his barn and stored away.”
“Thanks for the information. Me for Peter Beedy.” He glanced downward. Sitting on his haunches and gazing upward with a wistful eye, Shep was licking his old chops. “If you will be good enough to call your dog away and keep a firm, restraining hand upon him, I’ll hit the high spots between here and Mr. Beedy’s domicile.”
“As long as you’re so completely lacking in sand,” said she, “I’ll collar Shep and hold him until you get a fair start. But let me warn you that if you succeed in getting Beedy’s auto you’ll certainly be pinched and fined if you’re caught driving faster than eight miles an hour anywhere within the town limits.”
“It’s always necessary,” was his retort, “first to catch your hare. If Beedy’s bubble has any speed at all, somebody will be handed a laugh. When you give the word, I’ll come down.”
Now it chanced that neither of them had noticed the approach of Libby’s bull, confined in that same pasture. The bull was ugly, and resentful of intrusion on its domain. And just as the girl placed one hand on the dog’s collar the bull charged, with a snort and a bellow. The man on the limb shouted a warning. The girl screamed and dodged behind the tree. The dog, seeing the charging beast by accident, bounded lamely to meet him. And the bull, with one sweep of his horns, tossed the dog fifteen feet into the air.
The man in the tree was paralyzed with horror. The disastrous attempt of the dog to protect his mistress seemed to check the charging bull for barely a fraction of a second. With glaring eyes, the beast came on, dashing straight at the terrified girl.
“The fence!” shouted the man. “Run!”
Even as he uttered the words he realized what would happen if she attempted to obey. The infuriated beast would overtake her, toss her with its horns even as the old dog had been tossed, gore her, trample the life out of her delicate body. For the briefest fraction of time, he was sickened by the thought. Then he dropped from the tree directly in the path of the mad creature. As he dropped, he snatched the cap from his head. The instant his toes touched the turf, he sprang to one side. The bull missed him by a foot, and he struck the animal across the eyes with his cap.
It seemed like a feeble thing to do, but he had time for nothing else, and he hoped desperately to turn the attention of the beast from the girl; hoped somehow, by diverting the creature’s fury to himself, to give her an opportunity to flee to safety beyond the fence.
The girl had circled round the tree, keeping it between herself and the bull. As the man struck the animal, the latter swerved and turned with amazing speed, surprised, perhaps, by the appearance of a second human being on the scene. The stranger waved his arms and shouted challengingly. The animal accepted the challenge promptly and charged at him.
“Oh!” gasped Miss Wiggin. “He’ll be—killed!”
The story opens with eighteen-year-old Bessie Wiggin sneaking away to read a paper-covered novel titled Wooed, Won, and Wedded under an oak tree, her face hidden by an old-fashioned sunbonnet. Her father, Judge Nathan P. Wiggin, and her aunt Sally condemn such fiction as trashy and immoral, yet the hostler Lemuel Dodd secretly supplies her with the very books they forbid—hoping that romantic reading will make her desperate enough to accept his own advances. This early scene establishes a pattern of covert rebellion and ironic mismatches between expectation and reality.
Secret Alliances and Forbidden Reading
Bessie’s reading habits are not merely a private pleasure but a small conspiracy. Lemuel Dodd, described as “red-headed, freckled, and homely as a slump fence,” spends twenty-five cents of his wages twice a week to buy her the most promising titles. His motive is bluntly self-serving: he hopes that enough romantic fiction will make Bessie “desprit” enough to grab whatever is handy—namely, himself. Aunt Sally, meanwhile, tries to cut off supply by forbidding the village news dealer to sell Bessie such books. The conflict between authority and desire is played out through the medium of cheap novels, with Lemuel acting as a go-between who believes he can manipulate Bessie’s tastes for his own gain.
The Judge vs. the Governor: A Clash of Eras
The central confrontation occurs when Governor Hitchens is caught speeding through Greenbush and hauled before Judge Wiggin. The judge fines him, refusing to show favor despite the governor’s rank. The governor’s secretary threatens violence, but the governor himself notes that the judge “would take as much pleasure in fighting as in fining a speeder.” When the judge later explains his actions, he declares he would fine “the Czar of Roosia” for speeding, and contrasts his own horse expertise with the newfangled automobile: “A good, fast-steppin’ hoss suits me.” The governor retorts that the judge likely drove horses at speeds far exceeding eight miles an hour, endangering pedestrians. This exchange highlights a generational and technological divide, with each man defending his own mode of transport as safe and reasonable.
Voice and Dialect as Character Markers
The narrative voice shifts between formal description and colloquial dialogue. Judge Wiggin speaks in a rustic dialect—“skihooting,” “ketched,” “figgered,” “hoss”—that marks him as a man of the land, proud of his horse-handling skills and suspicious of automobiles. The governor’s speech is more polished, but his secretary’s crude threat (“twist that old lunatic’s nose”) reveals a different kind of bluntness. Bessie’s inner life is conveyed through her choice of reading material and her secretive actions, while Lemuel’s internal monologue is given in a folksy, self-interested tone. These contrasting voices create a social map of Greenbush, where class, education, and attitude toward progress are signaled by how characters speak.
Readers should pay attention to how the novel uses its small-town setting to stage larger debates about authority, romance, and technology. The judge’s courtroom is a theater where personal grudges and political power collide, while Bessie’s hidden novels suggest that even forbidden stories shape expectations. The excerpts offer no resolution to these tensions, but they invite speculation about whether Bessie’s reading will lead her to choose Lemuel—or someone entirely different.
I’ve always fancied that Shaming the Speed Limit holds its breath the way that Our Lady of Darkness — Reading Companion does—both watch the old world slipping away, not with shouting, but with a long, quiet blink. The judge’s horses, the hostler’s longing—they’re kindred to that shadowy San Francisco dusk. Some books just share a window. This one stays open.
Alexander Hall
3 weeks ago-
Sarah Benjamin - 1 month ago
The title suggests a bold critique, but the content is underwhelming. The book rehashes common arguments about speed limits without offering new insights. The tone is preachy, and the author's personal stories feel forced. A disappointment considering its promising premise. -
Lisa Christian - 1 month ago
The book has a unique angle, and the author clearly knows their stuff about the psychology behind speeding. It's well-researched, but the narrative sometimes gets bogged down in technical details, losing the reader's interest. Still, worth a look for its fresh approach. -
Aaron Dennis - 3 weeks ago
A fantastic exploration of the human urge to break rules. 'Shaming The Speed Limit' offers a fresh perspective on the ethics of speed, blending personal anecdotes with societal commentary. It's both educational and entertaining, making you question your own driving habits. Highly recommend it to anyone who enjoys thought-provoking reads.
How did this book work for you?
Your answers remain private and are stored only in this browser.
Theodore Thompson
1 month ago