The Cruise of the "Scandal", and other stories — Reading Companion
Edition facts
The catalog record for The Cruise of the "Scandal", and other stories — Reading Companion provides practical reading context through 74,896 words, 5 hr 26 min estimated reading time, and 7 detected text sections.
The text analysis averages about 13.1 words per sentence, while the detected sections provide another way to judge how the source is divided.
Project Gutenberg metadata also associates the work with “Short stories, English,” connecting these edition facts with the source record’s subject description.
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- Title & short description10 pts
- Source metadata20 pts
- Text length15 pts
- Chapters / structure15 pts
- EPUB file integrity20 pts
Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.
Read the Text
Dryden was cheerfully prepared to furnish a flattering introduction to the work of any author on the simple understanding that he was not expected to read the volume in question.
Not possessing the pen of Dryden, and being additionally handicapped by the fact that I have read the accompanying stories, I find myself very much at a loss how to fulfil my publishers' request. Desperate situations demand desperate remedies, and I will, therefore, tell the truth. I wrote these stories in order to satisfy an inward craving--not for artistic expression, but for food and drink. I took a great deal of trouble over them, and if they are not good they are at least as good as I could make them. I should not, however, have had the audacity to offer them to the American public in book form, except for the fact that they have sold well and are continuing to sell well in England. The most curious phenomena occasionally repeat themselves, and it is with a wistful hope that something of the sort may occur in the present case that I venture to launch the _Scandal_ on the time-honoured trail of Columbus.
CHELSEA; LONDON, January 2, 1920.
The Cruise of the "_Scandal_"
The Man with the Chin
Tony and His Conscience
With the Conquering Turkey
The Strange Adventure of Mr. Bates
Full-back for England
The Bronze-haired Girl
The Cruise of the "_Scandal_"
"One must never forget," said George solemnly, "that rank has its duties as well as its privileges." I helped myself to another glass of champagne.
"What is it you want me to do?" I asked.
"I have no wish to dictate to you in any way," he answered. "I am merely offering you my advice. As your elder brother and the head of the family, I naturally take an interest in your career."
"Fire ahead," I replied gratefully. "I'm always ready to listen to wisdom, especially from a Cabinet Minister."
There was a short pause.
"Well, then," said George, taking a thoughtful pull at his cigar, "my advice is that you should accept this invitation from Lady Bulstrode, and make up your mind to settle down."
"To do what?" I asked in dismay.
"To settle down," repeated George, with some firmness. "If you are ever going to do anything with your life, it's quite time you started. You can't go wandering about the world in this aimless fashion for ever."
"But it isn't aimless, George," I protested. "I always have an excellent reason for going anywhere."
"And may I ask what your 'excellent reason' was for spending the whole of last year in the wilds of Kashmir?"
"I wanted to shoot a snow leopard," I said.
George shrugged his shoulders.
"Exactly what I mean. A year of your life thrown away on a frivolous piece of sport."
"Frivolous!" I echoed. "There's devilish little frivolity about shooting a snow leopard. You try it."
"Thank you," said George coldly. "I have something better to do with my time."
It was plain that he was getting a little huffy, and my conscience pricked me. With all his seriousness George is an excellent fellow.
"Look here, old son," I said. "Politics are all very well for you--you've got a turn for that sort of thing--but what on earth use should I be? I can't talk for nuts, and know rather less about the game than this cigar."
George frowned slightly.
"Politics," he observed, "are not a game, and with regard to your knowing nothing about them--I suppose you can learn. You have plenty of ability if you care to use it. Sir Henry Martin was telling me only yesterday that your paper about New Guinea in the _Fortnightly_ was quoted by practically every witness at the Royal Commission.
"Good!" said I. "That must be why the editor wants me to write him something about Kashmir."
George nodded his head approvingly.
"I hope you will do so. Nowadays serious journalism is as good an introduction to a political career as you could possibly have. Besides, one would like to feel that all these years of wandering about have not been entirely wasted."
"Oh, they've not been wasted, George," I said. "I've enjoyed 'em enormously. The only thing is they've rather put me off what people call civilization. I can stand a couple of months of London, but I'm afraid I should get frightfully fed up if I stopped here much longer."
George leaned back in his chair and drummed lightly on the table with his fingers.
Victor Bridges opens his 1920 collection with a disarmingly frank preface: he wrote these stories "in order to satisfy an inward craving—not for artistic expression, but for food and drink." This mercenary honesty sets the tone for a volume that, despite its commercial origins, displays a sharp ear for dialogue and a fondness for rogues and eccentrics. The catalog classifies the book as Science Fiction & Utopias, yet the excerpts show no trace of futuristic or speculative elements; instead, they depict pub arguments, domestic servants, and a yacht cruise. The mismatch between subject heading and content is striking.
A Preface That Refuses to Flatter
Bridges' preface is a small masterpiece of self-deprecation. He compares writing a foreword to "standing outside the front door calling the attention of indifferent passers-by to the more attractive features of one's own house." He envies John Dryden, who could write flattering introductions without reading the books. The author admits he has read his own stories, which he considers a handicap. This ironic, understated voice—apologetic yet confident—is the most distinctive feature of the opening pages. It suggests a writer who knows his limits and works within them, aiming to entertain rather than edify.
Dialogue-Driven Pub Scenes
The excerpt from "The Strange Adventure of Mr. Bates" reveals Bridges' strength in rendering working-class speech. The dialogue is dense with dialect spellings—"'E's 'ad a proper row," "wot's the meanin'," "insinooate"—and the characters are defined by their verbal sparring. The postman, the landlord, and the gaitered man trade insults and gossip about a Professor Stenson and his dismissed servant Andrew. The scene is almost entirely talk, with minimal narration, and the tension builds through interruptions and pointed remarks. Bridges uses the pub as a stage for social comedy, where class resentments simmer beneath the surface.
The Catalog's Science Fiction Label
Project Gutenberg assigns this book to "Science Fiction & Utopias," but the available excerpts contain no spaceships, future societies, or technological marvels. The title story involves a yacht named Scandal, and the preface mentions launching it "on the time-honoured trail of Columbus." The other stories, judging by their titles—"The Man with the Chin," "Tony and His Conscience," "The Microbe"—suggest adventure, crime, or character studies rather than speculative fiction. It is possible that one or more stories include fantastic elements not present in the excerpts, but the catalog classification appears to be a misattribution. Readers expecting science fiction will find instead a collection of early twentieth-century tales rooted in contemporary settings and colloquial speech.
Bridges' stories reward attention to their verbal texture and period detail. The preface, though brief, offers a key to the author's attitude: workmanlike, unpretentious, and aware of the gap between literary ambition and commercial necessity. Readers interested in early twentieth-century popular fiction, especially the kind that sold well in England before crossing the Atlantic, will find this collection a lively specimen. Approach it not as science fiction but as a sampler of a storyteller who knew his audience and gave them what they wanted.
Reading Victor Bridges’ preface, where he cheerfully admits writing for money, reminded me of another honest novel, one where characters labor not for glory but wages. There’s a similar, unadorned warmth in how both celebrate respectable work. That plain practicality stayed with me, like remembering a friend who never pretended. I thought of Forge and furnace: A novel — Reading Companion and its quiet, hard-working soul. Such familiar humanity feels rare.
Sophia Davis
3 weeks agoMatthew Nelson
4 weeks agoAmelia Scott
1 month agoVictoria Lewis
1 month ago-
Scott Heather Lee - 1 month ago
A disappointing set of stories that fail to capture the thrill of sailing. The plots are predictable, and the characters are one-dimensional. The writing is bland, and the 'scandal' in the title is hardly scandalous. There are much better maritime anthologies out there. -
Chelsea Eric Ramirez - 1 month ago
A delightful collection of maritime tales that capture the essence of adventure on the high seas. Each story is unique, weaving humor and suspense seamlessly. The writing is vivid, transporting you aboard the yacht 'Scandal' and other vessels. Perfect for a lazy afternoon by the beach or a cozy evening in. -
Linda Martin - 3 weeks ago
The stories are engaging and well-crafted, but the collection feels uneven, with some tales stronger than others. The nautical terminology might be heavy for landlubbers, but it adds authenticity. A decent read for fans of sea stories, though not essential.
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Sofia Nguyen
2 weeks ago