The Laugh Maker — Inside the Classic

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Curwood, James Oliver, 1878-1927, Hoskins, Gayle Porter, 1887-1962 [Illustrator] Project Gutenberg 2022 Not confirmed
Short stories; Man-woman relationships -- Fiction; Embezzlement -- Fiction Readers of public-domain and historical texts
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Edition facts

Words 7,083
Reading time 31 min
Text sections 1

The Laugh Maker — Inside the Classic can be approached with a clearer sense of reading commitment from its source measurements: 7,083 words, 31 min estimated reading time, and 1 detected text section.

The text analysis averages about 20.9 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “Short stories,” connecting these edition facts with the source record’s subject description.

In James Oliver Curwood's 1912 short story, a fat, cheerful man named Bobby McTabb wins a town's trust, then vanishes with its savings—only to return years later with a surprise. The narrative pivots on the tension between surface joviality and hidden motives, culminating in a public reckoning.
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Editorial Edition Score 4.4/5

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  • Text length15 pts
  • Chapters / structure15 pts
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ne was her name—tall and sweet to look upon, with those pure blue eyes, dark with the beauty of violets, that go so well with hair which is brown in the shadow and gold in the sun. They proved it out together, all of a sudden. It is their story. And it will never be believed. But it’s the truth.

Bobby McTabb was born fat. He weighed fourteen pounds at the start—and kept going. He doubled up his avoirdupois at the end of the tenth month, was a fraternity joke at college in his twentieth year, and made the scales groan under two hundred and eighty pounds at the end of his thirtieth—when he came to Fawcettville. But don’t let these facts prejudice you against Bobby McTabb. At least don’t let them give you a wrong steer. For Bobby McTabb, in spite of his fat, was a live one. Fawcettville woke up the day he arrived and began to scrape off the age-old moss from round the hubs of its village institutions. For rumor had preceded Bobby McTabb. It endowed him with immense wealth. He was going to boom Fawcettville. The oldest inhabitants gathered in groups and discussed possibilities, while their sons and younger relations worked in the hay and wheat fields. Some believed a railroad was coming that way. Others that a big factory, like those in the cities, was to be built. A few smelled oil, and Bobby McTabb’s first appearance gave weight to every dream that had been dreamed. The villagers had never seen anything like him, from his patent leather shoes and his gaudily striped waistcoat to his round, rosy, laughing face. He was so fat that he appeared to be short, though he was above medium height, and everyone agreed at first glance that no soul less than that of a millionaire could possibly abide within this earthly tabernacle that disclosed itself to their eyes. But Bobby McTabb quickly set all rumors at rest. He had come to found a bank—the first bank in Fawcettville. At that minute he had just one hundred and twenty-seven dollars in his pocket. But he said nothing of that.

How Bobby McTabb started his bank has nothing to do with this story. But he did it—inside of a week, and prospered. The first part of the story is how he won Confidence—and met the girl. It was his fat, and his round, rosy, laughing face that counted. Within a month all the men liked him, the children loved him, and mothers and daughters were ready to trust him with anything. And never for an instant did Bobby betray one of their trusts. He was lovable from the boots up, and grew fatter in his prosperity as the months rolled by. He discarded his gaudy attire, and did as the other Romans did—wore a broad-brimmed “haying” hat in summer, “wash shirts,” and seamless trousers. He joined the village church, was elected Sunday-school superintendent without a dissenting vote, and was soon the heart and soul of every country rollicking-bee for miles around. Bobby woke up every morning with a laugh in his soul and a smile on his boyish face, and he carried that smile and laugh about with him through every hour of the day. He was happy. Everywhere he preached the gospel of happiness and optimism. If your heart was sick with a heavy burden it would lighten the moment you heard his laugh. And it was a glum face that wouldn’t break into a smile when it met Bobby McTabb’s coming round the corner.

It was at the end of his second year that Bobby met Kitty Duchene. What sweet-eyed, blue-eyed Kitty might not have done with him Fawcettville will never know. She liked him. She would have loved him, and married him, if he hadn’t been so fat. Anyway, grief didn’t settle very heavily upon those ponderous shoulders of B. McTabb. He never laughed a laugh less, and he didn’t stop for a minute in making other people laugh. It was his hobby, and all the women in the world couldn’t have broken it. “Make your neighbors laugh and you shall inherit the Kingdom of Heaven,” he used to say. “Drive out worry and care and you are clubbing the devil.” And so it came to pass that by the time he had spent three years in Fawcettville, Bobby McTabb was greater in his community than the governor of the state or the president of the nation. And this was the condition of affairs toward which Bobby had been planning.

And then, one morning, he was missing.

Bobby McTabb, introduced as a fat man of nearly three hundred pounds, arrives in Fawcettville with only $127 but a plan to found a bank. The story immediately establishes a contrast between his appearance—gaudy waistcoat, patent leather shoes, round laughing face—and the rumors of immense wealth that precede him. Curwood’s narrator insists that “you can laugh too much,” framing Bobby’s cheerfulness as a potential deception. The opening paragraphs dwell on how Bobby’s physique and demeanor earn him “Confidence” from the townspeople, a word the text capitalizes and treats as a prize. This early emphasis on trust and its possible betrayal sets up the central tension: is Bobby’s laughter genuine, or a mask for something else?

The Weight of Appearances

Bobby’s body is described in precise, almost comical measurements: fourteen pounds at birth, two hundred and eighty pounds at thirty. His weight becomes a narrative shorthand for his character—he is “lovable from the boots up,” and his fat is repeatedly linked to his ability to inspire trust. The text notes that he “discarded his gaudy attire” and adopted local dress, a detail that suggests deliberate assimilation. Yet the narrator undercuts this by revealing Bobby’s empty pockets. The physical descriptions are not merely decorative; they serve as the primary evidence for the town’s misplaced confidence. When Bobby later disappears with the bank’s money, the reader must reconsider whether his rotund, laughing exterior was ever a reliable sign of honesty.

The Secret Sign and the Midnight Nails

The story’s turning point is marked by covert action: a sign hung at midnight, bills pasted “as stealthily as thieves,” and sealed letters delivered to farmers. Curwood emphasizes the secrecy and theatricality of Bobby’s return. The sign reads “ROBERT McTABB / Loans, Real Estate and Insurance,” a name change that signals a new identity. The townspeople’s reaction is immediate and collective—they rush to the bank, dogs bark, children shout. The climax arrives when Kitty Duchene kisses Bobby in public, whispering “NOW I understand.” The narrator withholds the content of Bobby’s letter until after this moment, creating a gap between the characters’ emotional response and the reader’s knowledge. The letter itself, when revealed, explains that Bobby took $140,000 and returned six times that amount, framing the embezzlement as a “joke” and a “surprise.”

The Letter as Confession and Performance

Bobby’s letter to the townspeople is the story’s only direct statement of his motives. He addresses them as “Dear old friends,” recounts his initial poverty, and describes his scheme as a “childish desire TO SURPRISE YOU.” The capitalization of “TO SURPRISE YOU” suggests a self-conscious theatricality. He insists that “it is not money, but love, that counts,” yet the letter is also a financial accounting: seven dollars for every one deposited. The tension between the affectionate tone and the precise figures creates an uneasy blend of sentiment and calculation. The narrator earlier warned that “you can laugh too much,” and Bobby’s letter, with its mixture of apology and triumph, leaves open the question of whether his return is an act of generosity or a continuation of the same performance that won him the town’s trust in the first place.

Readers should attend to the story’s framing device: the opening claim that “it will never be believed. But it’s the truth.” This assertion invites skepticism even as it demands belief. The excerpts do not reveal whether Bobby’s scheme succeeds or whether the town accepts his explanation. The narrative withholds any resolution beyond the kiss and the letter, leaving the reader to weigh the evidence of Bobby’s character against the narrator’s insistence on his sincerity. The story’s brevity—just over 7,000 words—means that every detail, from the weight of Bobby’s body to the color of Kitty’s eyes, carries potential significance.

I once shelved Curwood’s The Laugh Maker beside a quiet soldier’s tale, and they seemed to nod at each other across the years. Bobby’s hidden ledger and Colville’s guarded heart both keep secrets behind cheerful faces. It’s a gentle thing, watching two strangers understand each other without a word. Colville of the Guards, Volume 3 (of 3) — A Reader’s Guide holds that same patient, unspoken loyalty.

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  • ...
    Adam Hatfield - 4 weeks ago
    The title promises laughter, but the delivery falls short. Many of the jokes are predictable and rely on tired stereotypes. The writing style feels flat, and the punchlines often fizzle. While there are a few flashes of wit, they're buried under repetitive situations. I finished the book with a smile, but mostly out of relief. There are far funnier comedy books available.

  • ...
    Mark Haley - 3 weeks ago
    The Laugh Maker delivers plenty of chuckles with its relatable scenarios and sharp observations. Some stories are laugh-out-loud funny, while others are merely amusing. The pace occasionally lags, and a few jokes feel dated, but overall, it's an enjoyable read for a light-hearted escape. If you're a fan of classic humor, you'll find something to appreciate here.

  • ...
    Charles Kristi Chambers - 3 weeks ago
    A side-splitting collection of anecdotes and vignettes that perfectly captures the absurdities of everyday life. The author's timing is impeccable, and the humor ranges from witty one-liners to elaborate, farcical situations. Each story is a gem, and the book is perfect for lifting your mood after a long day. Highly recommended for anyone who loves to laugh out loud.


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